Art

March 03, 2008

Potteries in England

The story of the Staffordshire Potteries (apart from the beautiful pottery produced) has not often been told, and yet this area has a far richer character and a more distinctive heritage than many better known parts of Britain. Here a skilled and industrious workforce, located in an isolated rural backwater and. often in wretched conditions working with the simplest of tools and raw materials, made objects of great beauty and worth and won a worldwide reputation for themselves and their native area which still continues today.

Life in The Potteries:

The many unpleasant facts of life in the Potteries, which were common even in recent memory, have been obscured by the scores of books on the wares produced, but the character of the Potteries was formed by the potbanks and the working life and people they enclosed. The early country potters, throughout Britain, worked on a small scale, often supplying only local markets. near the sites where they found their clay. They faced competition first from the metropolitan centres, such as London, Bristol or Norwich. where from the sixteenth and seventeenth centuries British and foreign craftsmen captured important high quality markets. and then from a rural, isolated and otherwise undistinguished area of England, North Staffordshire.

Why the Potteries?:

During the seventeenth century the community of potters working around Burslem began to use coal as a fuel and this appears to have given them an economic advantage over other rural workshops still dependent on diminishing supplies of timber. Coal was abundantly available, outcropping on the crests of' ridges throughout the area now known as the Staffordshire Potteries. The slender supply of ivory clay was soon consumed, but the red or blue firing Etruria Marl still occurs in abundance. From the late medieval period Burslem potters are known to have supplied Midland markets with simple cylindrical butter pots. As Josiah Wedgwood noted, by 1710 Burslem had become s prominent pottery centre, probably the largest in Great Britain, and had acquired a name for skill and craftsmanship.

The development of the Six Towns:

The Potteries may look like one long sprawling conurbation, with little to distinguish one town centre from another, but the core of Burslem still survives, as do those of Tunstall, Hanley, Stoke-upon-Trent, Longton and, to a lesser extent, Fenton, the town which Arnold Bennett forgot when he referred to 'the Five Towns'.

These towns had their rivalries, dialects and special characteristics, and each was surrounded by smaller satellite village communities which were gradually engulfed as the towns grew. In 1910 the Six Towns were unwillingly united to form one city called Stoke-on-Trent. The older borough of Newcastle-under-Lyme, a mile or so to the west, retained its independence.

http://www.thepotteries.org/six_towns/index.htm

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February 23, 2008

More Potteries in Ireland

Louis Mulcahy Pottery Broad range of functional pottery, from urns, lampshades to functional pots and wedding presents. [ Ballyferriter, Dingle ] [ Co. Kerry ] Malahide Pottery Jerry and Breeda Diem creating a mixture of thrown and handbuilt pieces in oxidized stoneware fired to 1200 c, using plum and brown glaze poured over each piece, and a white glaze over green decoration. [ Malahide ] [ Dublin ] [ Ireland ] Marcus O' Mahony View a gallery of my work, and find details about pottery courses that I teach from my studio: dates, location, food and accommodation etc. [County Waterford] Orchard Pottery Produces an original range of high-quality giftware, hand-thrown and decorated by Richard Ferris. [ Castleconnell, ] [ Co. Limerick ] [ South Ireland ] Posie Ceramics Hand made ceramics inspired by traditional kitchen interiors by Emer O'Sullivan. [ Letterkenny ] [ Co. Donegal ] [ Ireland ] Stephen Pearce Pottery Produces handmade; tableware, giftware, lighting, earthenware and contemporary products for the home. [ Shanagarry ] [ County Cork ] [ Ireland ] Stoneware Jackson Produces a range of ware from large platters with generous rims and soft profiled handles to bold table lamps with hand-painted shades. [ Bennettsbridge ] [ Co. Kilkenny ] Thomas Diem Pottery Thomas combines traditional pottery skills with the contemporary; his work is found in hotels, corporate offices and private residences. [ Ashbourne ] [ Co Meath ] [ Ireland ]

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February 22, 2008

Potteries in Ireland

Ardmore Pottery And Craft Shop Mary Lincoln throws her pots in earthenware clay, and glazes them with a white base glaze, these are usually sponged or speckled in green and blue colours. [ Ardmore ] [ County Waterford ] [ Ireland ] Ballydougan Pottery Provides Irish hand-thrown and decorated stoneware, pottery and giftware. Ballydougan pottery also rent self-catering holiday cottages in Craigavon, Northern Ireland. [ Craigavon ] [ Co Armagh ] [ Northern Ireland ] Bandon Pottery A thriving pottery in the South West of Ireland producing unique colorful hand-made stoneware for table, kitchen and home, which is durable and safe in dishwasher, microwave, freezer and oven. [Bandon, Co. Cork] Billy Eccles Potter and kiln maker. [ Dublin ] [ Ireland ] Bridge Pottery Hand-made pottery by Mary O'Gorman and Mark Campden. [Bennetsbridge, Co. Kilkenny] Crannmor Pottery Functional Irish pottery. [ Castlecomer ] [ Co Kilkenny ] [ Ireland ] Dolmen Pottery Wheel thrown wood/salt fired pottery. [ Carlow ] [ Ireland ] Home Thrown This site introduces 14 Irish potters producing hand thrown tableware, giftware and one-off pieces, links to their own websites and important Irish craft. Kinsale Pottery Pottery and art school combines the studio of Adrian Wistreich with classes in pottery, ceramic sculpture, painting and drawing. [ Kinsale ] [ Co. Cork ] Klopp, Marianne Handmade functional and decorative stoneware pottery. [Dublin]

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February 06, 2008

Crafts Council of Ireland

Crafts Council of Ireland (CCoI) http://www.ccoi.ie/content/view/19/74/
The Crafts Council of Ireland (CCoI) is the national design and economic development organisation for the craft industry in Ireland. Its activities are funded by the Department of Enterprise, Trade and Employment via Enterprise Ireland.

CCoI curently holds 1305 members in its register of craft enterprise. See also the Craft Search facility where you can find registered makers by name, county, product and discipline as well as samples of their work.

The Craft Industry
The major sectors within the Irish craft industry are pottery, glass, jewellery, textiles (particularly knitwear) and furniture. Irish craft businesses are characteristically small in scale and are geographically widespread, but taken nationally the industry is a significant employer, while also providing viable, sustainable enterprises in all areas, including those isolated rural communities ignored as unsuitable by other manufacturing sectors.

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January 28, 2008

Crafts in the Orkneys

Appiehouse Tea Room & Photo-Art Gallery
Arts/Crafts Premises
Pam Farmer
Lower Appiehouse Sandwick
KW16 3JD Sandwick, insights@pamfarmer.freeserve.co.uk

Destination: Dounby

Aurora Jewellery
Arts/Crafts Premises
Sara Tait
The Workshop, Old Finstown Road
KW15 1TR St.Ola, info@aurora-jewellery.co.uk

Destination: Kirkwall
Orkney Craft Industries Association
Arts/Crafts Premises
Andi Ross
Outerdykes
KW16 3HA Stenness, ocia@e-scotland.co.uk

Destination: Stromness
Orkney Stained Glass
Arts/Crafts Premises
Stu Weldon
Monquhanny
KW17 2DZ Shapinsay, enquiries@orkneystainedglass.com
Scapa Crafts
Arts/Crafts Premises
Jackie Miller
12 Scapa Court
KW15 1BJ Kirkwall, jackie@scapacrafts.co.uk

Destination: Kirkwall
Sheila Fleet Jewellery
Arts/Crafts Premises
Sheila Fleet
Old Schoolhouse
KW17 2QT Tankerness, info@sheila-fleet.co.uk

Destination: Kirkwall
The Woolshed
Arts/Crafts Premises
Denise Dupres
Benlaw
Costa
KW17 2NN Evie, woolshed@lineone.net
The Workshop & Loft Gallery
Arts/Crafts Premises
J Strutt
Front Road
KW17 2SL St. Margarets Hope

Destination: St Margaret's Hope
Westray Art Gallery
Arts/Crafts Premises
Peter Brown
Pierowall
KW17 2BZ Westray, peter@westrayartgallery.wanadoo.co.uk

Destination: Pierowall
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January 25, 2008

Arts and Crafts in the Shetlands

Shetland Jewellery
Arts/Crafts Premises
Kenneth Rae
Soundside
ZE2 9LQ Weisdale

Destination: Central Mainland
Shetland Wool Carpeting Ltd
Arts/Crafts Premises
Tommy Irvine
Tamara Longwell
ZE2 9HG Cunningsburgh

Destination: South Mainland
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October 15, 2007

Charles Rennie Mackintosh

Charles Rennie Mackintosh

Credited with pioneering the Modern Movement in Scotland, Mackintosh was respected around the world yet, for a time, seemed a forgotten man in his native land. Ironically, having died almost as an unknown, his distinctive designs are now exhibited in museums around the globe and have spawned an entire genre of merchandise that pays homage to his originality.

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July 18, 2007

Joseph Mallord William Turner

Joseph Mallord William Turner

Joseph Mallord William Turner (1775-1851), was one of the foremost English landscape painters of his time. He received almost no general education, but his unique skills gained him a place at the prestigious Royal Academy of Arts at the age of 14. In the following ten years he exhibited regularly at the Academy and was elected a member in 1802. With such recognition, he was able to devote himself to the visionary interpretations of landscape for which he became famous.

He sought inspiration for landscape painting by taking many trips around Britain and Europe. His walks along the river Thames, and trips to the Thames estuary provided him with the inspiration for several of his paintings. His friendship with the Earl of Egremont, who resided at Petworth House, and his many visits there, produced some of Turner's most idyllic landscapes. Almost unchanged to this day are the vistas from Petworth House which Turner captured so beautifully. The nearby towns of Brighton and Chichester proved to be fertile sources of inspiration, as can be seen in his paintings Brighton from the Sea and Chichester Canal, which hang in Petworth house, which is open to the public.

His love of landscape drew him to paint many of Britain's great castles, including Kenilworth, Barnard, Pevensey, Dartmouth and Battle Abbey. His Sunrise over Norham Castle is of particular note. As is his atmospheric Rain, Steam and Speed, a wonderful depiction of a steam train as it crosses Maidenhead railway bridge, which spans the Thames between Taplow and Maidenhead.

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June 19, 2007

Thomas Gainsborough

Thomas Gainsborough

There was nothing that the great English Master and founder of the English School of painting, Thomas Gainsborough, loved more than to 'walk off to some sweet village when I can paint Landskips (landscapes) in quietness and ease'. For although he made his reputation as a portraitist to the 18th-century gentry in Ipswich, London and Bath, his enduring passion was for rural scenes.

His enthusiasm was kindled early. Born in 1727 in the market town of Sudbury in Suffolk's Stour Valley, he absorbed from boyhood the natural beauty around him. His early landscape Cornard Wood typically echoes the Sudbury countryside that he was to make his own. Even that other magnificent Suffolk painter, John Constable, later commented, 'I fancy I see a Gainsborough in every hedge and hollow tree'.

After a spell in London, Gainsborough returned to Suffolk where, always strapped for cash, he could 'pick pockets in the portrait way'. But his beloved landscapes still played a unique role in fashionable 'conversation pieces': Mr and Mrs Robert Andrews shows a couple against a ravishing harvest scene reminiscent of Sudbury's fields and hills, its flickering highlights characteristic of the artist's sensitivity to nature and texture. 

Gainsborough's House, the artist's birthplace in Sudbury, displays many of his paintings and the 'quietness and ease' of footpath and bridleway make Suffolk ideal walking and horse-riding terrain. Boating on the River Stour is also popular.

Around 1758, Gainsborough moved to Bath to find new clients to paint. He also loved to sketch outdoors, the environs providing him with more dramatic inspiration than Suffolk's placid countryside. Today's explorers find the city a convenient base whether for bracing hill-walking along the Cotswold Way or a gentle cruise on the restored Kennet and Avon Canal. 

While in Bath, Gainsborough painted both imaginary rural vignettes like The Harvest Waggon and scenes echoing real life. Even when he had returned to London, a 1783 trip to the Lake District - more superb walking country - instigated the moody Mountain landscape with Peasants Crossing a Bridge: as timeless in its appeal as the romantic hills that inspired it.

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May 08, 2007

John Constable

John Constable

‘I love every stile and stump and lane … as long as I am able to hold a brush I shall never cease to paint them.’

So spoke John Constable of the countryside and villages of his native Stour Valley on the Essex/Suffolk border. The area is a magnet for visitors the world over who know it from his paintings. In fact, it was known as ‘Constable Country’ even during the artist’s lifetime.

Constable is possibly the best-loved British artist. He was born in 1776 (one year after Turner) in East Bergholt in Suffolk, the son of a prosperous corn merchant, but though he went on to work in the family business his real desire was to be an artist. In 1799 his father finally agreed for him to study painting full time at the Royal Academy and his art blossomed. He and Turner were in fact at the Academy together, but never became friends.

Many of his most famous works immortalise the landscape of gentle hills and valleys sprinkled with streams, picturesque cottages and churches that was his home, and which remain almost unchanged today. In fact you can still spot the places where the artist stood or sat to paint his famous pictures, although this is sometimes rendered difficult by his readiness to shift, say, Dedham Church a half a mile or so if it suited his composition! The long-distance Essex Way winds through many places associated with Constable, including Dedham where he went to school, and which appears in many of his landscapes, and Langham Church and Glebe Farm where he painted some of his most famous works. You can also walk along the towpath from East Bergholt to Flatford Mill, where he was born, and Willy Lotts Cottage, which featured in the Hay-Wain (now a Field Studies Centre) and visit the Constable exhibition at Bridge Cottage. Constable also went on to paint Salisbury Cathedral, as well as scenes in the Lake District, Brighton, Southend and Hampstead.

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